-
100% sikkert betalingssystem
-
Betal i danske kroner
-
Over 3.5 millioner solgte billetter
Søg efter billetter
Hvorfor købe hos os?
Arenainfo.
Lignende oplevelser
-
1. Othello
på Lyttelton Theatre, National, fre, 19 jan 2024 - lør, 13 apr 2024Fra 262 kr
-
2. The King and I
på Dominion Theatre, lør, 20 jan 2024 - lør, 2 mar 2024Fra 262 kr
-
3. Giselle - English National Ballet
på Coliseum Theatre, tor, 11 jan 2024 - søn, 21 jan 2024Fra 190 kr
-
4. Dana H.
på Royal Court Theatre, tir, 16 jan 2024 - lør, 9 mar 2024Fra 173 kr
-
5. Cirque du Soleil - Alegria
på Royal Albert Hall, tor, 11 jan 2024 - søn, 11 feb 2024Fra 702 kr
-
6. Bronco Billy
på Charing Cross Theatre, tir, 23 jan 2024 - søn, 7 apr 2024Fra 179 kr
-
7. This Might Not Be It
på Bush Theatre, tir, 30 jan 2024 - lør, 2 mar 2024Fra 0 kr
-
8. The Handmaid's Tale
på Coliseum Theatre, tor, 1 feb 2024 - tor, 15 feb 2024Fra 367 kr
-
9. Fascinating Aida
på London Palladium, søn, 4 feb 2024 - tir, 6 feb 2024Fra 262 kr
-
10. Everybody’s Talking About Jamie
på Peacock Theatre, tor, 8 feb 2024 - lør, 23 mar 2024Fra 262 kr
Lignende kategorier
Leaves of Glass
Dette er et spritnyt produkt i vores sortiment - og det er allerede muligt at bestille billetter. Nærmere information på dansk kommer snart!
East London. 2023. Steven has always tried to be a good person. He works hard. He looks after his family. But, suddenly, everyone starts accusing him of things. His wife accuses him of being unfaithful. His mother accuses him of being coercive. And his brother, Barry, accuses him of...what exactly?
Barry won't say. Or can't. Or perhaps... Steven hasn't done anything at all.
Following its critically acclaimed run at Soho Theatre premiere in 2007, Philip Ridley’s four-hander is a gripping narrative of memory, manipulation, and power - now regarded as a modern classic - returns for the first time in 16 years with a new production by longtime collaborators, Lidless Theatre.
Praise for the original production:
★★★★ 'It is like a shard of glass plunged straight into the heart' The Guardian
'A brooding and eventually bruising emotional weight… a ferocity of feeling' The Stage
★★★★ 'Lucid and restrained. The writing is packed with meaning. Listen hard. Every word matters' Sunday Times